The annual absolutely presents accidental bubbles of possibilities alarming and recording the aesthetic impulses of man. It is a able attribute of the caricatural calibration of eternity. Even in its brief actual form, it stands to amplitude in the breeze, hypnotising the animal eye with its colour and fragrance. Amidst turbulence, the annual provides achievement for the adaptation of animal dignity.
Flowers accustomed allegorical implications affection in the Indian airy terrains, rituals, literature, paintings, dance, music, and poetry. Dr Sanghamitra Basu from the Indira Gandhi Centre for the Arts says, “The aroma and colours materialise as paths of energies abutting the celestial with the devotee.”
“Your album avalanche on Krishna’s chest like white cranes on a aphotic cloud, Shining lightning over him, Radha, you aphorism in the acme of love. In dupe on the wind-swept Jamuna bank, Krishna waits in agrarian annual garlands,” writes Jaidev in the “Gita Govinda”. The ballad is painted, sang and danced. In the corrective representation from Guler, an cocked timberline is entwined with a beginning backcountry that suggests the address the Sakhi/ acquaintance implores Radha to go to Krishna.
In “Pushp ki Abhilasha” (The Admiration of the Flower), Hindi artist Makhanlal Chaturvedi impacted by the abandon attempt pens the admiration of a flower. “I do not appetite to be fabricated into a necklace, or accustomed as a allowance to a lady, or befuddled on a corpse. I appetite the agriculturalist to bandy me on the alley area a soldier angry for the citizenry picks me.” “Chah Nahin Mai SurBala Ke Gehnon Mein Guntha Jaaon…. Mujhey Tod Lena Banmali, Us Path Par Tum Dena Phaink, Matra Bhoomi Per Sheesh Chadhaney, Jis Path Jaayen Veer Anek”
Classical accompanist Subhadra Desai sings Kumar Gandhrava’s composition, “Tesul ban Phoole rang chaaye, Bhavar Leit Firat Mad Bhare” (The atramentous blow bee flies listlessly bagged by the tesu flowers the Flame of the forest). “The agreement in the late-night raga Bhageshree,” says Desai, “provides a anatomy to achieve transcendence. The active complete of the atramentous bee explores in atramentous the cocky while gluttonous dissolution in the aciculate aggravate flame-coloured flowers. Aback singing, I aspire to abduction the action of that dissolution.”
Bharatanatyam ballerina Ragini Chandrashekhar
Says Bharatanatyam ballerina Ragini Chandrashekhar, “I endeavour to accompany out the aspect of a annual authentic by its texture, softness, colours, and shape. It is added for me a allotment of abhinaya. However, if I am appropriate to ascertain the annual in the adroit element, I would use patterns that are simple and flowing. My ball will seek to abduction the abounding aspect declared in the Tamil chat ‘nalinum’ acceptation elegance. Our abhinaya repertoire is abounding with the adumbration of the lord’s eyes, feet, accoutrements compared to flowers. I am absorbed aback I appearance like – lotus-like face; it is not the accessible lotus but the layered half-opened lotus bud eyes. In Goswami Tulsidas’ acclaimed “Shree Ram Chandra Kripalu Bhaju Mana” the additional band is “NavaKanj Lochana Kanjamukh Kara Kanjapada Kanjaarunam” The Eyes of the aristocrat are half-newly opened lotus. The half-open implies both the apparent compassionate activity of the aristocrat to the needs of his addict circumstantial with his introspection.”
Flowers are metaphors of activating breeze in the movement in their fragrance, the appearance of their petals, and the application of their colours. They represent a catholic clockwork of conciseness that leaves the abidingness of aggressive adroitness arising from their brief existence.
Pondering on the appearance of flowers in the Indian civilisational context, one recalls the writings of Roger Lipsey, the acclaimed American art historian’s advertence to three concepts. First, Thomas Merton presented a monk’s ability of painting which he alleged ‘Eyes for the Art’. Henry Corbin was aggressive by Sufi concepts. As a academic of Islamic religious history, he alien two added concepts – ‘eyes of flesh’ and ‘eyes of fire’.
The ‘flower’ in its actual anatomy communicates assorted sensations. Its apparent absoluteness of colour, softness, and aroma of the annual activate the ‘eyes of flesh’. Next, the anatomic adventure of the annual gain to achieve the action of ‘eye of fire’ area the alien anatomy of the annual awakens close energy.
Taking the three concepts – eyes of flesh, of blaze and art, one can appraisal Alka Pande’s latest book “Flower Shower” (Niyogi Books). She aspires to analyze a multi-layered aisle of the ‘flower’ in the Indic topography. Her assignment refers to ideas, rituals, and aesthetic expressions – in art, cuisine, textiles, sculpture, area and abundant more. The annual as ‘Nature’ is affiliated to gods and goddesses. “My assignment is based on the spirit of the abstraction of Pushp Varsha (showers of flowers). It seeks to abduction the ehsas or the built-in Indian acquaintance of aesthetics and adorableness of the ‘flower’. The book locates the attribute in arts and crafts and alongside refers to the bread-and-butter anatomy accompanying to flowers,” says Pande,
The Indira Gandhi Memorial Tulip Garden in Srinagar, Kashmir, the better Tulip Garden in Asia, will anon accessible for visitors. Tulip presents a alluring history. Interestingly, in the bond of agitated existence, the tulip symbolises animal animation and animal dignity; for it stands amidst the Himalayan battle zones of Afghanistan and Kashmir. The ambiguous annual carries an arresting bread-and-butter ancestry from the Ottoman Empire to the Dutch Renaissance and is allegorical of the aboriginal above banking bubble. Presently, a beheld abnormality for flora-tourism, it is placed as a advantageous commodity.
The tulip appearance in the Persian adverse affair of Farhad and Shireen. The red tulips appear from the drops of Farhad’s claret that appears afterwards he commits suicide on acquirements of his beloved’s death. The annual stands for affliction and affectionate love. The adverse adventure is anecdotal by Georgians, Parsis, Afghans, Kurds and abounding added communities.
The ancestry of the three-petalled annual is ‘turban’. It is the civic annual of Afghanistan area interestingly it is the atramentous tulip that has acquired abreast relevance. Says Sonia Nassery Cole maker of the blur “Black Tulip”, Afghanistan’s access in the Best Foreign Language Blur class in Academy Awards in 2011, “In North Afghanistan, there are fields of ‘black’ tulips. They represent the persona of an Afghan who, admitting everything, is abounding with pride, hope, and resilience.” There are two belief affiliated to the Afghan atramentous tulip. Cole narrates, “A adolescent Afghan boy bravely fought the Soviets. He was killed. His ancestors begin a atramentous tulip tattooed on his chest. The annual is both aerial and resilient, the blade colour forms a abiding stain. It has become a ritual amid Afghans to mark the anatomy of martyrs with the atramentous tulip flower. In the 1970s, during the Soviet occupation, the helicopters alleged Atramentous Tulips were in-charge to aces the corpses of the Soviet soldiers lying in the fields.”
According to botanist Aarti Saxena of the Delhi University, “Plants do not synthesise atramentous pigments. The colours of the flowers are in the arresting ambit of VIBGYOR. Flowers like the atramentous rose or the tulip are absolutely afterpiece to abysmal shades of dejected or violet.” The aesthetic abandon bidding by Cole in the appellation ‘Black Tulip’ communicates a able affecting allegory which conceivably added colours would not.
Despite the politically advancing bearings in Kashmir, the bounce has accustomed and the tulips are set to bloom. A few years aback one met adolescent Samina walking the ablaze annual fields of the Srinagar Garden, while her ancestor aback home was adornment shawls. “He will get 1500 rupees for the absolute shawl. I get added by demography some women tourists about the Tulip Garden,” said adolescent Samina.
The garden provides an access of advance in the conflict-ridden arena area jobs and shrinking agronomical acreage are important socio-economic issues. Even amid the socio-political uncertainties, both in Afghanistan and Kashmir, the tulip could accommodate the abeyant for different bendable address of floral barter and floral cultural skills.
The Tulip area of Kashmir, the Netherlands and added countries present an argot of coloured achievement and homesickness as one could anamnesis the adventurous Bollywood song, “Dekha yeh khwab toh yeh silsile huye” (The appearance of the blooming fields become the dream of ambiguous affairs).
The song was picturised in the Tulip area of Keukenhof, Netherlands alternated with the scenes from the bleary mural of Pahalgam, Kashmir. Tulips blossom in bounce as windows to paradise. They angle upright, the distinct annual will not angle until the aftermost blade assault away. It reflects perfection, pride, and animal dignity.
Poetic and mystical
In October, which completes two years this April, awning biographer Juhi Chaturvedi finer uses the shiuli annual (night beginning jasmine) as a allegory for her active changeable advocate who avalanche off a auberge roof, and goes into a coma. The Shoojit Sircar blur is about a accord area one doesn’t seek annihilation in return. “When I was autograph the film, I struggled a lot with the name of the changeable character. Once I called her Shiuli, aggregate fell in place. It became anapestic and mystical as the annual itself,” says Juhi.
Growing up in Lucknow, the biographer has a lot of memories of the brief harsingar flowers. “But you can’t name a appearance thus. So I autonomous for its Bangla name. “Like harshingar, Shiuli additionally has a abbreviate life. I insisted on application it on the affiche as well,” recalls Juhi.
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