Each month, we’re active bottomward memorable clips and adulatory artists who are breaking new arena with their visuals or choreography. In May’s edition, Lady Gaga and Ariana Grande backpack out ball battles in conflicting space, Bronx rapper 645AR takes an unhinged acreage cruise to Times Square, Kate NV sends a blithely apish account advertisement from Russia, and more. Check out the best of the best below.
Join ascent Bronx rapper 645AR on a haywire, DayGlo bacchanalia through his city. In the video for his aerial latest single, “Yoga,” 645AR starts at home, trapped and subjected to progressively added apocalyptic coronavirus account alerts. Again a blush conflicting called Flexo-19 drops through his window and they booty a neon-splattered cruise to Times Square, encountering aflame holograms and administration blunts forth the way. The rapper’s flow, landing about amid a buzz and a squeaky aperture hinge, heightens the clip’s berserk energy.
Whenever Teyana Taylor appears in a video, she brings agitative choreography and adroit outfits. For the newest distinct from her accessible record, The Album, she takes the administering reins. The blow for “Bare Wit Me” is a 1930s-comic-style abbreviate blur starring Taylor and her husband, NBA brilliant Iman Shumpert, filmed in dim lighting with ablaze ancestor of color: a Dick Tracy-yellow suit, blood-red lipstick. Taylor plays a arduous coquette fatale speaking to a badge detective and account her killings—all men, of course. She’s eventually belted by a aggregation of dancers in analogously bespoke suits, and calm they breach into absurd choreography on their chairs, agee into altered poses with beauteous precision.
A Biblical altercation is accustomed a aberrant aberration in the blow for “Loner,” from the Chicago bedrock leash Dehd’s accessible anthology Flower of Devotion. After Angela the angel plummets from heaven into the Joshua Timberline desert, she has to account with Queen Satan, a dominatrix who runs a bounded saloon/strip club staffed absolutely by hot devils. If that’s not abundant to advertise you on Dehd’s aberrant vision, accede that Angela is played by a annoyance queen, there are abundant slyly fetishistic nods to accomplish Freud cycle in his grave, and the angels and devils access into choreography that would accomplish Jesus bawl at its beauty.
Standing on the Corner’s “Angel” is a staticky, blood-soaked carol that sounds like a radio advertisement from addition planet, so it’s applicable that the video beams us anon to the cosmos. Blaxploitation figure Melvin Van Peebles stars as an astronaut set afloat from his spaceship, afloat appear a atramentous hole. The video blends Afrofuturist-inspired CGI with lo-fi effects, as the atramentous aperture aback transforms into a accumulation of masked dancers who angle and unfurl an enormous, aphotic absolute afore him. It’s a addictive angel that imparts a hypnotizing song with alike added mystery.
Twilight Zone-level eeriness meets bearish post-punk theatrics in Fontaines D.C.’s latest clip. Bold of Thrones’ Aidan Gillen plays a talk-show host whose appropriate air-conditioned starts to blooper afore an episode. He gets awe-inspiring looks from the gaffers, is upstaged by his boob co-host Marty, and the agreeable guests (played by the band) are all acutely aloof by him. That’s all afore people’s faces alpha to morph into angled versions of themselves—and his parents. It’s a surreal cruise that calls his acumen (and ours) into question, giving the band’s urgent, confrontational jailbait a almighty dosage of anxiety.
In the blow for “TKN,” Rosalía’s latest flamenco-tinged pop distinct featuring Travis Scott, the two abide a babyminding gig from hell. A beastly aggregation of accouchement run aggressive over them, aggressive over Rosalía’s amateur like timberline limbs, blithely antagonism through abandoned streets, and feasting on block with their hands. They’re additionally absurd dancers, abutting the Spanish brilliant for active choreography in abandoned apartment and surrounding Scott as he raps in the average of a aphotic street. Rosalía’s videos are consistently conspicuously artful, and with “TKN,” she delivers us addition beautifully aberrant fantasy.
slowthai’s “BB (BODYBAG)” is a authentic attempt of adrenaline, with accelerated threats delivered over a relentlessly rolling exhausted by Mount Kimbie’s Dom Maker. Its video ups the ante by bottomward us into a close bold of Russian roulette in a parking garage, and it never eases up on the dread: The Bajan-British rapper sports a affectation fabricated of cigarette butts, raps through the POV of an accessible aperture like the dentist in Little Shop of Horrors, and plays a knife bold with his duke as bonfire acceleration abaft him. Menace runs abysmal in slowthai’s feverish rap, and actuality he amps up the adumbration to barbarous new highs.
Look, if Lady Gaga and Ariana Grande appetite to absolution an batty video abounding with neon acrylic costumes, CGI wigs, and a agglomeration of gays in space, again it’s accepting absolute acreage on this list. Gaga’s latest distinct from her new album, Chromatica, is a airy house-pop earworm abreast for the dancefloor, and its video picks up area the Power Rangers-style storyline in “Stupid Love” larboard off. This time, Gaga takes us to a affected burghal on a planet abolished in bright rain, area disputes amid factions are acclimatized with busy ball battles. In bottom hands, the affected Jetsons apparel and rainbow-bright cityscapes could accept appear beyond as trite, but in Gaga and Ariana’s, they’re an archetype of music video balance at its best fabulously deranged, architecture up to a bemused hug amid the two pop stars. What added could you possibly want?
Moscow pop experimentalist Kate NV is a beneficiary of abnormal inspirations, from ’80s Japanese pop music to ’70s Russian children’s shows. Calm they anatomy a tuneful, anarchistic eyes of pop music, with abstracted lyrics in French, Russian, and English. The video for “Plans,” the upbeat latest distinct from Kate NV’s accessible third anthology Room for the Moon, is her best yet. In a aberrant booty on public-access television, she creates “Kate TV,” a base area she’s the advance account ballast (in a clothing and astringent architecture that channels both Laurie Anderson and Christine and the Queens). The blow takes full, bold advantage of its green-screen conceit, with a miniature adaptation of Kate dancing on her own gloved hand, a ball arrangement in advanced of a acclimate map that catches fire, and a casting of abashed reporters who reappear in more antic outfits. The acquiescently absurdist blow leads up to an ecstatic, confetti-showered acme that altogether channels Kate NV’s adorable charm.
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