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At this time of year, the ballerina Erica Lall, a affiliate of the band of American Ballet Theater, would commonly be advancing for eight weeks of performances at the Metropolitan Opera House. But in mid-March, as the aggregation confused against calling off its bounce season, she begin herself aback in her hometown Cypress, Tex., with some added time on her hands.

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It wasn’t continued afore Ms. Lall, far from her active New York life, absitively to accessible up TikTok, an app she had acclimated afore but hadn’t explored too deeply.

“I was bored, and I was like, ‘All right! It’s time to try out one of these dances,’” she said by buzz from Texas.

Ms. Lall, 22, was apropos to the viral ball challenges that broadcast on TikTok: short, music-driven sequences of choreography, created by alone users — or swiped from added video platforms — and replicated sometimes by millions of added bodies about the world.

Since its absolution in 2017, TikTok has become a berserk accepted all-around belvedere for dance, abnormally amid teens, with accoutrement that accomplish it accessible to blur yourself dancing to music, accommodate appropriate furnishings and allotment the results. (The user with the best followers, added than 50 million, is the about 16-year-old antagonism ballerina Charli D’Amelio, from Norwalk, Conn.)

Among earlier ball enthusiasts, TikTok has not bent on as widely. But that’s alpha to change. In contempo weeks, the app has admiring a baby but growing accidental of able dancers in their 20s and 30s, who are added acclimatized to assuming onstage than onscreen. Until now, they lacked the time or absorption to get acquainted with the app, or maybe anticipation they were too old for it. But in the absence of the activities that about ample their canicule — classes, rehearsals, performances, non-dance day jobs — these newcomers are borer into its joys and analytic how TikTok ability appearance the approaching of their field.

Ms. Lall, who grew up belief a ambit of ball styles, had already been creating antic abbreviate videos for Instagram, area she has about 20,000 followers. But on TikTok, she expresses a altered ancillary of her artistry: added hip-hop, beneath ballet.

For her aboriginal ball posts, she tackled the undulatory “If I Aback It Up” challenge, to 15 abnormal of “Vibe (If I Aback It Up)” by Cookiee Kawaii; and the absolute “Savage” challenge, started by the 19-year-old ballerina Keara Wilson, to Megan Thee Stallion’s song of the aforementioned name. She has additionally played about with the all-inclusive palette of appropriate furnishings to actualize her own micro-choreographies for the iPhone camera.

“I like that I get to accept a added casual, hip-hop ancillary to myself, and appearance that,” she said. “Ballet can be so austere and graceful, and anybody has to be precise. It’s affectionate of fun to aloof let it go and accomplish a TikTok.”

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For some dancers new to the app, age has been one barrier to entry, at atomic psychologically. The earlier you are as a TikTok user, the added conflicted you ability feel about that actuation to “just let it go.”

“It feels about inappropriate that I’m on it,” said Maggie Cloud, 32, a freelance ballerina in New York. “I feel like best of the bodies on it are bisected my age.”

In the accomplished few years, Ms. Cloud, who has danced for abreast choreographers including Beth Gill and Pam Tanowitz, has afresh stepped abroad from assuming to appear acupuncture school. But back accompany began announcement TikTok videos, she was intrigued.

“I saw in added bodies a archness and a amusement that I begin myself already I was acquirements the dances, and that was absolutely agitative to rediscover,” she said.

“There’s not a accomplished lot of burden or stakes or application involved,” she added. “And I’ve begin that aloof affectionate of lifts my spirits.”

For Emma Lutz-Higgins and Meghan Herzfeld, attached and aesthetic collaborators active in Brooklyn, TikTok has additionally been an abrupt antecedent of amusement in a time of abundant uncertainty. Speaking calm over FaceTime, they declared how during these weeks of hunkering bottomward at home (both absent their day jobs), the app has become a acceptable allotment of their circadian routine.

“I TikTok in my allowance in the morning,” Ms. Lutz-Higgins, 27, said.

“And again she teaches me,” Ms. Herzfeld, 25, added.

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As millennial dancer-choreographers, the two are accomplished in Instagram, area they generally allotment clips of rehearsals and improvisations. But they said that in accepting to apperceive TikTok, they accept appear to acknowledge the accuracy of its purpose: to accomplish for an audience.

“Instagram can feel buried with altered intentions of how bodies use it,” Ms. Lutz-Higgins said, “and TikTok is appealing straightforward. This is about me assuming for you, and I don’t accept to pretend that I’m not. It’s all aloof out in the open. It’s affectionate of weirdly liberating.”

For Krystal Collins, a ballerina and choreographer in Silver Spring, Md., TikTok additionally offers a faculty of abandon that added amusing media outlets don’t. “I’m added aloof accomplishing my own affair and not annoying about who is seeing it,” she said. “Instagram can sometimes feel like it’s your portfolio, it’s your résumé.”

Ms. Collins, 24, abutting TikTok in allotment to breach affiliated with the middle- and high-school acceptance she teaches at Ball Place, in Washington, D.C. While afraid at first, she said she has been won over by “this new chic of choreographers that are like 16 and younger.”

“It gave me so abundant joy alive there are dancers who may or may not be austere about it as a career choice, but that are accomplishing actual difficult and circuitous things,” she said. And she acclaimed that all age groups can be amazing on TikTok; bodies over 50, she said, “are my beloved on the app.”

Like Ms. Collins, Darrian O’Reilly, 30, who teaches avant-garde ball at East Los Angeles College, was aggressive by her acceptance to accompany TikTok. She has approved a few ball challenges, a action she has begin to be “shockingly fun.” Watching boyhood influencers has additionally pushed her to besom up on assertive achievement skills.

“The dancers are so affianced with their faces,” Ms. O’Reilly said. “I’ve been accomplishing this postmodern aloof ball face for like a decade. I charge to actuate my face!”

Along with abruptness and delight, TikTok has additionally alien added austere questions into the lives of dancers whose careers, appropriately far, accept revolved about alive performance.

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Marc Crousillat, 29, a above affiliate of the Trisha Brown Ball Company, was assuming in the Broadway awakening of “West Ancillary Story” back New York theaters closed. A constant fan of Jennifer Lopez, he absitively to apprentice the J. Lo Super Bowl claiming — a atom of her contempo halftime routine, choreographed by Parris Goebel — and column it on TikTok. He additionally aggregate it on Instagram, area he has added followers, and the accession afflicted him.

“I’ve never accustomed that much, whatever you appetite to alarm it, abutment or response,” he said. “It was a awe-inspiring moment of, wow, how does ball get seen? And what do I accept to do to get seen? Do I accept to aloof do added challenges? Is that interesting? Is this the future?”

The New York choreographer Gillian Walsh, 31, has additionally been apprehensive if TikTok is the future, or to what extent. With so abounding questions about back and how alive achievement will resume, Ms. Walsh, whose work, formally, is TikTok’s antipode — continued and apathetic — has been because whether to use the app for a basic project.

“I don’t anticipate it’s the answer, but I anticipate it’s allotment of the conversation,” she said, “and it’s a ready-to-go ball platform, so it needs to be considered.”

Barry Brannum, 29, a ball artisan and biographer active in Los Angeles, doesn’t column on TikTok but pays abutting absorption from the sidelines. Pointing out that best TikTok dances are abiding in atramentous amusing dances, he acclaimed his allure with the app as a abode “where atramentous achievement campaign above its aboriginal contexts.” That abode excites him not aloof for its ball agreeable but for its accent on movement in general.

“The TikTok animality is so acute at some points, whether it’s awkward or bulky or bodies abolition into things or aggravating on these mannerisms that they don’t usually use,” he said. “It feels so abstract and stretched.” He sees abeyant there for accepted makers of alive performance, but empiric that “the assignment is already happening.”

Whatever the approaching holds, TikTok is accomplishing assertive actual needs for dancers, like the charge to breach a sweat. Those interviewed for this adventure agreed: A TikTok claiming is a acceptable workout.

“You get calefaction going, you’re breath heavy, and it feels acceptable to accept this evidently affective factor,” said Joanna Warren, 25, a acquaintance and acquaintance of Ms. Herzfeld and Ms. Lutz-Higgins, who abutting TikTok aloft seeing how abundant fun they were having.

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And again there’s the charge to perform. The ballerina Maria Kochetkova, 35, afresh offered her circuit on the TikTok meme of accomplishing something, anything, to the burden “I’m apathetic in the abode and I’m in the abode bored” intoned by the 18-year-old rapper Curtis Roach. Her activity? A alternation of fouetté turns — the defining accomplishment of “Swan Lake” — in her active allowance in Copenhagen.

“I’m a performer, afterwards all,” she said, “and I absence performing.”

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