Today, Craft Recordings is arising a limited-edition black of AFI’s 1999 EP, All Hallows. A longtime fan favorite, the tracks—three AFI compositions and a awning of the Misfits’ admirable “Halloween”—still accumulation the aforementioned adrenaline blitz that they did on their aboriginal absolution date.
“I agree,” guitarist Jade Puget says in hindsight about the release. “We still comedy some of these. We comedy ‘The Boy Who Destroyed The World’ and ‘Totalimmortal’ every now and again. And it absolutely doesn’t feel like we’re arena article that’s awkward or a badge affair for the fans. I still accept a lot of fun arena these songs. I’m acutely biased because I wrote the music for all these songs. But I don’t anticipate there’s absolutely a anemic song on the EP.”
“We recorded it not too continued afterwards we recorded Black Sails In The Sunset,” bassist Hunter Burgan remembers. “And so we were aloof in and out absolutely quickly.”
In what we’re calling the “hindsight clue by track,” Puget and Burgan aggregate their animosity and memories about the EP with AltPress. Such as the one about how the almanac about didn’t appear in the aboriginal place.
JADE PUGET: I accept we absolutely wrote this for the EP as it acutely has a fall, Halloweenish theme. To me, this is a quintessential AFI song from that era. Aggregate about it is aloof aggregate we’re accomplishing from that era. You know, the big anthemic chorus, the whoas, the half-time breakdown. For AFI fans, we’ve got aggregate you appetite in the song from the ’90s. I feel like a lot of those whoas came from Rancid’s aboriginal record. I anticipate that was the bandage that did the anthemic whoa affair in the chorus.
PUGET: Not really. I mean, absolutely things would be played tighter. But that absolutely wasn’t what it was about. It wasn’t about arena things perfect. I had a bifold rectifier amp, and instead of accepting a abundant apple-pie tone, it would aloof be one amp one and one guitar for everything. But that’s minutiae. In retrospect, that accent authentic my songwriting and arena of that era.
HUNTER BURGAN: I anticipation it was great. It’s been one of those things area for three years, bodies were babble that song, requesting that song from the crowd—no amount what time of year it was. And I started to get this feeling—I anticipate we all did—that we’re not a Misfits awning band. But bodies adulation it. I’ve had a lot of bodies acquaint me that they like it bigger than the aboriginal version—which I achievement isn’t true.
PUGET: In retrospect, that was an accessible choice. And, you know, with me advancing into the band, I absolutely like the Misfits, but I wasn’t the super-crazy Misfits fan. But those guys had already done assorted Misfits covers, so it aloof seemed like the appropriate thing. And to me now, that’s our best recorded cover. We haven’t done abounding recorded covers of songs, but that one is, I think, our best.
PUGET: All of us. We aloof aggregate about this piano that was in the flat aloof messing around. Aloof banging altered things on the strings. It was a absolutely fun session.
PUGET: Those were my ideas. Adam [Carson, drums] absolutely happened to accept a music box at home, and it was absolutely burst down, affectionate of [a] half-working one and brought the appropriately creepy, age-old sound.
PUGET: I’m appreciative of the autograph on that aback I absolutely wrote some weird, absolutely awe-inspiring chordal actuality and aloof some aberrant playing, some aberrant positions on the neck. I feel like that was area my guitar arena and my songwriting was starting to booty a little bit of a footfall forward.
BURGAN: At the end of that track, we accept the complete of barrage and rain. Aback we would comedy that live, we would accept a sample triggered by a pad, and I would go over and hit the pad with my bass appropriate at the end of the song. I consistently anticipation it looked air-conditioned onstage, but you never know. [Laughs.]
PUGET: To this day, I anticipate it’s the song that gets our admirers activity the most. For whatever reason, that’s become, from that aboriginal punk, hardcore era, array of a quintessential song. I bethink autograph it: We were all active in this broad in Berkeley. It was a decommissioned frat house. We all lived there. There was this allowance we alleged the clayvet because it was like a cantankerous amid a closet and a cave, as if a tiny little room. We wrote a lot of Black Sails In The Sunset and a lot of this EP there. And I was sitting in there one night autograph “Totalimmortal.” I don’t consistently bethink area I was aback I wrote a song, but I bethink autograph that. It was such a artistic aeon for us, me and Davey [Havok, frontman] as a songwriting team. And aggregate flowed so quick and easy. And we aloof bang through that song. I aloof wrote it, you know, in apparently like an hour.
BURGAN: That was a backward addition. We were accessible to almanac four altered songs, one of which I had accounting that I was acquisitive was activity to be on there. And again “Totalimmortal” came along, and I had to concede. It was such a able song [and] so abundant bigger than the song I had written. And it was absolutely clashing added things we had done up to that point. It’s absorbing because it is so enduring. I mean, like you said, we included [it] in the setlist occasionally because it absolutely resonates with a lot of bodies new and old. I assumption we did a video for it, but it wasn’t like a radio distinct thing.
BURGAN: Yes, it was “The Lost Souls” off The Art Of Drowning.
PUGET: Sometimes. [Laughs.] If I attending at pictures of my beard [back then], I’m like, “Oh, that’s 20 years ago.” But actuality in a band, you’re in this awe-inspiring abeyant animation. So a lot of times it feels like aggregate happened yesterday.
BURGAN: I adulation that it’s aloof this little moment in time with all of its imperfections. Aback I accept aback to all of my admired aboriginal jailbait stuff, it’s abounding with awe-inspiring little mistakes and bad timing…And that’s what gives it the character, right? That’s what I adulation about it. You know, annihilation that seems like article I would appetite to fix after is perfect.
PUGET: I accept area he’s advancing from. He never wants to be a bequest act, which is absolutely understandable. No one absolutely wants to be a bequest act. I anticipate that actuality like this, if the admirers appetite it and it’s article they’re aflame about, I’m aflame to do it. If we were aloof aggravating to advance some artefact out there to accomplish some money or article and achievement to accomplishment our earlier releases, that would be antic and gross. And I would never appetite to do that. But I’m still appreciative of these things that we did.
It’s funny because I bethink aback we initially capital to do this EP, we went to Nitro [the above characterization started by the Offspring accompanist Dexter Holland], and we’re like, “We appetite to do a fall, Halloween-themed EP.” And no one was into it. They didn’t appetite it. We had to advance them to put this affair out.
PUGET: I don’t know. In retrospect, it’s funny because again the Offspring started accoutrement “Totalimmortal.”
The 20th ceremony All Hallows EP account disc copy is bound to 5000 copies. You can beck the AFI absolution actuality and grab your disc here.
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