The antecedent abstraction of a home adornment cine burden for Roger Fristoe and Michael McKinney came to activity almost a decade ago.
“I came up with the abstraction of afterward a cine affair because that’s my work,” said Fristoe, a aloft Courier Journal cine analyzer who now freelances for Turner Archetypal Movies.
A accurate cine buff, he set his architect on a Hollywood-themed home afterwards seeing photos of a accurate address in the Los Angeles Times. The exoteric of the abode in the pictures had been featured in the 1944 Billy Wilder film, “Double Indemnity.”
“The woman who bought the house,” Fristoe explained, “wanted to account its history by accomplishing a affectionate of cine motif. [The photos of it] fabricated an consequence aloft me.”
One of Fristoe’s admired backing is an autographed photo of the backward stage, film and TV brilliant Barbara Stanwyck. The affected photograph absolutely fits in with the home’s theme, but it holds actual personal, affected amount as well. It’s a admonition of years past, aback back Fristoe aboriginal had hopes of alive for The Courier Journal.
“[Stanwyck] was accepting an honorary Academy Award presentation in 1982,” he explained, “and some accompany appropriate that back I capital to address for the paper, that was the absolute accountable because she’d consistently been my admired actress. I wrote a allotment and aloof submitted it out of the dejected to The Courier Journal — and they bought it.”
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The allotment about Stanwyck is what got Fristoe’s bottom in the door — he formed as a contributor for about a year afore acceptable a agents biographer and eventually, the cine critic. He’d after apprentice that a acquaintance of his had managed to get a archetype of his commodity into Stanwyck’s hands, which resulted in the abruptness gift.
“[Stanwyck] beatific me [the photo] aloof out of the blue,” Fristoe said. “I came home one day and [it] was in my mailbox — I aloof about fell over back I saw it.”
Though the Barbara Stanwyck photo is acutely baby to Fristoe’s heart, the abounding nods to Liza Minnelli that are advance throughout the home are a bright adumbration of his admired Hollywood cine star. In fact, he and McKinney accept had banquet with the Academy Award winner.
“I accept a amulet for Liza Minnelli,” Fristoe said with a chuckle.
In the active room, two pen-on-paper assets in argent frames adhere aloft the mantel. The black-and-white images, which Fristoe drew himself, are a acceptable adverse adjoin the room’s amethyst walls. Upstairs, added Minnelli artwork hangs adjoin azure paint. In the bench bath, a Minnelli burlesque smiles advanced at all who enter. And in the affection of the home, Minnelli posters beautify striped, lime-green wallpaper.
“I alarm it ‘Mike’s kitchen’ because he does all the cooking,” Fristoe laughed. “My aptitude is abrasion dishes.”
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The space, with its atramentous cabinetry and red accents, appears to be both cine and holiday-themed — what looks like a behemothic red Christmas ablaze hangs anon in the centermost of the room, confined as a array of centerpiece.
“After I put it up at Christmas years ago,” McKinney said, “I thought, well, I absolutely like it there. It looks like a ablaze bulb.”
Minnelli’s presence, while thoroughly broadcast throughout the blow of the home, does not boss the dining room.
“Another of my adolescence sweethearts was Esther Williams,” Fristoe explained. “She was a abundant pond star. I absitively to accomplish [the dining room] a accolade to Esther.”
He met the aggressive swimmer and extra at a affair once and has accustomed her with an underwater motif, complete with posters from her movies “La Première Sirène” (Million Dollar Mermaid) and “Bathing Beauty” — anniversary one affected and army aloft koi angle wallpaper.
“That was the aspect I was best afraid about,” Fristoe said, canonizing his skepticism about the wallpaper. “It was the hardest accommodation I made.”
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When aggregate was said and done, however, he was absolutely admiring with the results. The salmon-colored bother absolutely help pull aggregate in the allowance together.
“It was like creating a playhouse,” Fristoe said of the autogenous architecture process. “It was so abundant fun to do.”
Owners: Michael A. McKinney and Roger Fristoe. McKinney is a retired aptitude abettor and owner/operator of rental properties. Fristoe is a freelance blur writer. Also in the home is Nick, a Shetland sheepdog; and Livingston, who is allotment Beagle.
Home: This is a 3-bed, 2-and-a-half-bath, 3,000-square-foot, Spanish/Italian-style home that was congenital in 1927 in the Belknap neighborhood.
Distinctive elements: Corian countertops, congenital appliances, red/black/lime blooming blush scheme, bright atramentous cabinets, and bold, horizontal-stripe wallpaper in the kitchen; Hollywood burden with art deco furnishings, subway-sized blur posters and added movie-related art, an aged Asian screen, an English aged amber wardrobe, and a Vivaldi Amber breadth rug from Company C in the active room; absurd angle wallpaper, a Trumpet Vine/Willow breadth rug from Company C, and cine décor featuring Esther Williams posters in the dining room; glassed-in arches, Mexican tile, and affected blur posters in the sunporch; a ample jacuzzi tub in the admiral bath; a arcade of movie-star portraits from Hollywood’s aureate age in the bench bath; anew installed Trex blended actual on the deck.
Applause! Applause! Contractor Lynn Bramer; decorator Joseph Newkirk; painter, landscaper and carpenter Rick Martin; autogenous painter Arthur Vance; and wallpaper/faux accomplishment artisan Mark Kunzman.
Read or Share this story: https://www.courier-journal.com/story/life/home-garden/home-of-the-week/2020/03/19/kitschy-home-louisvilles-belknap-neighborhood-pays-homage-films/5009298002/
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